There is no Records, There is no One Story and There is no True Creation.

Introduction

Credit: Ancient Orgins-April Holloway

Every culture has their own myths on creation, or do they? What happens when a culture leads no trace behind? Well, one needs up with conflicting stories. Perhaps you even get a scenario where none of the legends are true. What do you do then? Well, the answer is not that simple, or maybe there is no answer at all. Like many things, myths can be interpreted anyway. Whether they are correct, remains to be discussed. But, one thing remains clear, there are no shortages of stories.

Now, it should be noted that based on all research, there seems to be three different legends on how the world came to be. But only one of them is mentioned more than once. However, that doesn’t mean the other ones, to some extent, aren’t true to the myths. It is impossible to know the truth, especially since no written records survive. Although that doesn’t stop us from looking into them.

Story of Donn and Danu

One myth that explains the creation of the world is the story of Donn and Danu. The tale tells of these two gods created in a great void. And it tells of when they looked upon each other, a sacred flame burned inside their hearts. Finding love, the two embraced, never to be separated. It was love to last forever, but as usual with these tales, it didn’t last.

Just like most mythologies, the children of these two gods were caught in an interlock. The children wanted to be free, and so a plan was devised. A son of these two, named Briain, convinced his mother to let her embrace go. As a result, Briain slayed his father.

The fury from Briain was so great that he cut his father into nine pieces. Danu, horrified, broke down in tears. Because of her crying, her tears swelled into a great flood. This action caused her children to be sent to earth. The parts of Donn washed away as well. His head became the skies, brain the clouds, face the sun, mind the moon, his bones the stones, and his breath the wind. Combined with Donn’s blood and Danu’s tears, the sea’s were created.

The Tree of Life

 Another tale is called the “Tree of Life.” The story starts as follows:

credit: Celtic mythology-Meck

In an era when there was no time, no gods or humans walked among land, there was the sea, and there was land. And where they met, a mare was born, she was white, made of seafoam and named Eiocha. A tree grew as well. It was strong and sturdy oak. On the oak a plant grew, whose seed formed from the tears of the sea. Eiocha ate the seeds, which were white berries, and they transformed within her.

She grew heavy with child, which became the god Cernunnos. The pain was too great for her, and she ripped a piece of bark. The bark was hurled into the sea, and it was transformed into the giants of the deep. Cernunnos, lonely, coupled up with Eiocha, and created the other gods after seeing the giants of the deep. From that, the tree was used to create the world.

The Giant Story

 This one, in different forms, tells that giants were the original gods. When it comes to the myth, there is not a lot of information, but it is the most common. And it goes as follows:

During the first winter, a giant was created from the “hoarfrost.” Fire emerged and melted the giant. Parts of his body then formed the universe. Body formed the world, blood flowing created the seas, mountains from his bones, trees sprung from hair, and skull the sky.

And in the heart of the earth, the gods lived on mountainous hills and below the Underworld boiled as a home for the dead.

Now, it should be noted, that this myth shares a lot with the first one. This could be as perhaps they came from a similar source. Or it is possible they took ideas from each other. But it is hard to say for sure.

Conclusion

It is clear that these myths are similar in one way or another. But that shouldn’t stop someone from researching and determining what was part of the original mythology and what was lost or influenced by other sources. Only time will tell if we learn what the truth is, and what legend came first. Or perhaps none of them are the original and they were created to fill in a gap.





Joshua Young is a professional writing student at Algonquin College. He looks to one day be a published fantasy author. He is inspired by both the Science Fiction and Fantasy genre. The books in this genre include A Song of Ice and Fire, Berserk, Dune, and the Dark Tower Series. He is a Toronto Maple Leafs fan, although he sometimes hates to admit. This is because he is afraid of getting beat up. Like any Leafs fan, he waits for them to get passed the first round of the Playoffs and win a Stanley Cup.


Philippine Creation and Origin Myths

There are many different creation and origin myths from the diverse cultures of the Philippines. These are some of the most well-known ones from the three different regions. 

Malakas at Maganda

A painting of a man and a woman resting within the halves of a bamboo that's been split open.

Credit: Cenon Rivera

The Tagalog creation myth is often referred to as Malakas at Maganda (meaning “strong and beautiful”) and is about the origin of the first man and woman.

When the world began, there was only the sea and sky. The eagle Amihan, deity of peace and wind, flew about for days on end with nowhere to rest. Amihan, in frustration, stirred up the sky and sea, which caused them to fight.

Amidst their stormy battle, the sky threw rocks at the sea, which became islands that the eagle could finally rest on. After sky and sea calmed down and the islands were made, bamboo was born.

Amihan was curious about these new bamboo shoots and began pecking at one of them, causing it to split. From one of the split halves emerged Malakas, and from the other Maganda. It’s worth noting that the words malakas and maganda are gender-neutral, and so Malakas and Maganda in the story could be either gender.

Bakunawa

This myth is about the Visayan moon-eating dragon Bakunawa, often thought to be an explanation for the lunar eclipse.

Bathala, ruler and creator of the universe, created seven moons, which shone bright and beautiful and illuminated the night.

Deep within the ocean lived a massive serpent called Bakunawa. The serpent looked upon Bathala’s creations with envy, for in his cave he was surrounded by darkness.

An illustration of a long, giant lizard in the sky, clutching the moon and opening its mouth as if about to eat it.

Credit: Eve Berthelette, Artstation

Bakunawa decided to steal one of the moons. He rose from the ocean, causing the earth to quake, and swallowed the moon whole. However, to his dismay the moon melted away in his stomach.

He stole another moon, and another, but each of them would all melt away. Soon, there was only moon one left in the sky. 

As the Bakunawa began to swallow the last moon, the world became shrouded in darkness. Humans, terrified by the darkness and of losing their last moon, shouted and banged drums and made as much noise as they could. 

“Return our moon!” they screamed.

Bakunawa was scared by the noise and retreated to his cavern in the ocean. The moon returned and lit up the night sky once more.

To prevent the last of his moons from being stolen, Bathala planted bamboo on the moon. From then on humans remained vigilant, and whenever the Bakunawa would try again to steal the moon, they would shout and make noise and scare him away. 

Tambanokano

Another myth associated with the eclipse, these two stories from Mindanao tell of a colossal crab responsible for floods and the tides.

The first variation is a tale from the Mandaya people. The great crab Tambanokano was a child of the sun and moon. He is such a powerful being that lightning flashes every time he opens and closes his eyes.

Tambanokano rests in a large hole at the bottom of ocean. When he sleeps, there is high tide. When he rises, water floods in the hole and there is low tide. As he moves about, the surface of the sea churns and causes big waves.

Sometimes, when Tambanokano is angry at his mother, the moon, he tries to eat her, causing the eclipse. It’s also said that the crab is so massive that when he rises, he blocks out the moon. Just like the Bakunawa, people scare Tambanokano away by making noise.

In this Bukidnon story, Tambanokano crawls into the sea and causes a massive flood.

A colourless drawing of a giant, angry crab, standing above an ocean and holding a crescent moon in its right claw.

Credit: Anthony Kristan dela Cruz, Wix

A wise man warns the people of his village that they must build a raft. Over the next month, the people cut down many trees and tied them together, then fastened the raft to a large pole in the ground.

Shortly after they finished building the raft, the water rose. 

Tambanokano went into the sea, and because of his gargantuan size the water flooded the land. It rose as high as even the tallest mountains. 

The people and animals were safe on the raft, and the pole kept them from drifting away. After the flood, they were the only people left on Earth.

There are many more myths in the Philippines about how the world and its wonders came to be. If you found these three myths interesting and would like to hear more, let me know in the comments!


Koda Hann is currently a student in Algonquin College’s Professional Writing Program. He loves learning about different cultures and his latest hyper-fixation is anything and everything Philippines-related (shoutout to all the Titas and Titos out there, mano po).

His dream is to be a scriptwriter for animation, and he has several ideas for compelling fantasy stories that he plans to put to screen. Two of his biggest inspirations are Avatar: The Last Airbender and How To Train Your Dragon.

He’s just a lil’ guy.

Izanagi and Izanami: Japan's Cursed Creators

The Beginning of the End

The land and the sky, the forests and the sea; the very earth we inhabit may exist only thanks to a tragic tale of divine lovers. Thus, as my final post, allow me to raise the curtain on Japan’s Izanagi and Izanami, the parent deities of the island nation.

Primordial Soup

A tapestry illustration of two gods standing on clouds, with the right one using a spear to stir the sea below.

Credit: Kobayashi Eitaku

According to the Kojiki, before there was, there was not; in the heavens above an infinite void of formlessness, various elder kami (Japan’s gods) existed in the limitless space. After seven generations, the male kami Izanagi and female kami Izanami were tasked with creating something from the ocean of chaos that surrounded them.

Gifted a jeweled spear from the elders to assist in this task, they used it to stir the sea of chaos below. The drop that fell from the spear once lifted became the first island of Japan, Onogoro. Upon that island, they built a palace they would call home, and from there, they decided to start a family. Through a marital ritual that they first fumbled twice, the two successfully created the islands of Japan and its kami.

The Embers of Tragedy

However, all was not peachy and proper for the parents of this land; whilst Izanami safely gave birth to Japan’s islands and numerous kami of nature, when she birthed the flame kami Kagutsuchi, she was fatally burnt. Izanagi tried to save her, but it was all for naught.

Many more kami were created in her death, but Izanagi didn’t care; outraged by such a tragedy befalling his wife, he took out his rage on Kagutsuchi, cutting him down. Though unnecessary blood was spilt that day, countless more kami spawned from Izanagi’s tears and his bloodied blade.

The Journey to the Worst

Izanagi mourned the loss of his love long after her passing, until, ironically, the flame in his heart was spurred; he quested to Yomi, the land of the dead and darkness, to save Izanami. Through a great many trials and tribulations, Izanagi finally arrived at the palace of the dead.

He snuck in through the back, and deep within the palace’s corridors, he finally found her. Izanami awaited him with open arms, and whilst a loving reunion was had, bad news was quick to follow; she had eaten the food of Yomi, and as such, was no longer capable of leaving.

Izanagi didn’t care, however, and pleaded that she return with him. Whilst she couldn’t comply in that moment, she had an idea: she would appeal to the kami of Yomi, asking to return to the land of the living with him. However, Izanagi would have to remain outside, and not enter the palace no matter what. He agreed, took his leave, and waited eagerly for Izanami’s return… He waited… And waited… And waited.

Soon, an entire day had passed without word from within the palace. Izanagi, worried and impatient, forsook his promise to his wife and barged back into the palace.

That would be his ultimate mistake.

An illustration of a massive boulder blocking a gate in the side of a mountain.

Credit: Caelan Stokkermans Arts on facebook

Making a torch out of his comb’s tooth, he treaded carefully through the pitch black halls of the palace. Indeed, he found Izanami, but she was no longer the same kami that created the world with him; her body lay collapsed, her flesh rotting, swarmed with magots, and various kami of thunder had formed from her limbs. Izanagi was horrified, speechless, and beyond grief stricken.

In the face of such overwhelming horrors, he ran. In his attempt to escape, the warriors of the palace, the thunder kami from his wife’s body, and Izanagi’s decaying corpse itself pursued close behind. Pushing past his fear and limits, he escaped the palace of the dead by a hair, before fleeing Yomi and sealing it behind him with a massive boulder.

Izanami would remain there, eventually gaining the moniker “Goddess of the Dead”, whilst Izanagi would purify himself in the sea. As he did, even more kami came into existence, chief among them being the sun goddess Amaterasu, the moon god Tsukuyomi, and the sea god Susano’o…

An illustration of a robotic-looking spirit wielding a spear.

Izanagi’s looking a little different here… credit: atlus, sega.

Thriving in the Modern Era.

This tale of creation and destruction became the legend at the center of Japan’s greater mythos, being adapted, recreated, and referenced in media all throughout the world:

  • The videogame Smite, a multiplayer game featuring gods from various mythologies, included Izanami as a core character.

  • The protagonist of the game Persona 4 calls on a powerful spirit to aid him in his quest into the Shadow World, with that spirit being aptly named Izanagi.

  • In the hit manga and anime series Naruto, the names of Izanagi, Izanami, Amaterasu, Tsukuyomi, and Susano’o are given to godly techniques and powers used throughout the story.

The End of the End

From the creation of the world to the end of this blog and beyond, the world that the married two kami created, as well as the story they left behind, will live on to be re-experienced and retold long into the future. Thank you for reading.


Sebastian Switzer, best known for his short story Ronin, lives in southern Ontario with his family. Sebastian began writing in 2018, specializing in suspenseful, high-fantasy fiction, and dabbling in as much mystery as he can manage; a sucker for action, his style’s never found standing still. He’s currently aiming his attention towards this very blog, where he covers myths and folklore from Japan’s storied history. Sebastian is often accompanied by his two cats, who frequently find themselves seated stoically between himself and his work.

Great King Of Ulster: Conchobar mac Ness

Many of the great kings that existed throughout history are defined as having power, wisdom, and strength. Conchobar mac Ness, the legendary king of ancient Ulster, was no stranger to such things. His life, shrouded in mystery, wasn’t an easy one, especially for a man of his status. His tale, both epic and tragic, paved way for more kings of his caliber emerge.

Mysterious Childhood

Conchobar mac Ness’s life began with unknown origins. It is wildly accepted that Conchobar was the son of Ness, but the identity of his father remained mysterious. One tale proclaimed him the son of Fachtna Fáthach, who was the High King of Ireland. While another one claims he is the son of Cathbad the chief druid. Either way, it was a confusing start to Conchobar’s life.

Not everything would be bad for the boy, however. It was prophesied by Cathbad (the possible father of Conchobar) that the boy was destined for greatness, and to rule with strength and wisdom. Such prophecies were not seen as foretelling for the future, but as divine mandates. This news gave Conchobar a sense of both duty and destiny.

Ruler of Ulster

Credit: Danaka Johnson on pintrest

Conchobar rose to power through his stepfather, Fergus mac Roich, after the king fell in love with Conchobar’s mother. Ness would convince Fergus to give up power for a year to let her son be king. The plan worked, as Conchobar became popular amongst the population for his ability to lead. This caused Fergus to lose his throne after a war with Conchobar. 

 Ulster would become a powerhouse. Conchobar, wise himself, was backed behind a strong council. He held on to the Brehon Laws that governed everything about Ireland. The political landscape of Ulster turned into one of vigilance and strategic defense. Despite this, the kingdom still found itself being a nexus broad regional conflict. But Conchobar countered this with diplomacy and marital prowess.

 Yet, the king was no stranger to conflict. He was a warrior, as most kings were, but the difference was his ability to understand strong defense and use of allies. He focused most of his policies on strengthening up the fortifications of Emain Macha, the capital of Ulster. He kept his warriors loyal through his use of grants of land and the promise of wealth.

 One of Conchobar’s famous campaigns was during the Tan Bo Cuailnge or the Cattle Raid of Cooley. Queen Medb of Connacht started the conflict after a bid to steal a prized bull named Donn Cuailnge. This conflict proved importance for the king. As his leadership and ability to inspire his warriors was fully presented. Plus, the conflict showed the true might of the Ulster army.

 

credit: Giacento Gaudenzi

Elite Warriors

But his biggest contribution to the military came with the creation of the Red Branch Knights. These warriors, intertwined with the royal court of Ulster, held high positions of honor. Their elite status came from their exceptional skills in combat, unwavering loyalty, and their primary role in protecting the king and realm. The duties of these high members included, defending the kingdom, execute the orders of the king, and continue the principles of honor and bravery.

Because of these honors and duties, Conchobar and his knights had a complicated relationship. Despite being a king and having power, he still needed the Red Branch Knights. The Red Branch Knights owed everything to their king, including their honor and prestige. Without the support of such warriors, Conchobar wouldn’t have had the chance to keep his power. This relationship, no matter how important, showed how much King Conchobar valued the warriors around him.

Fall of the King

Conchobar mac Ness, a life that began tragic, and ended the same. During times of battles, and gruesome rituals, Conchobar would find himself a victim. A lead ball, used in these rituals, found itself in the hands of a Connacht warrior. A treacherous chance had emerged for this warrior, most likely as an attempt to impress ladies from the opposing army. The ball slammed into the king’s skull, but he had survived. Although he was told do avoid exertion, anger, or excitement.

However, he finally met his end when he heard of Jesus. He was devastated to find Jesus was executed despite committing no crimes. In a fit of rage, he bashed his sword against several trees. Due to his weakened frame, and excessive emotions, he strained himself and took his final breath.

 

 


Joshua Young is a professional writing student at Algonquin College. He looks to one day be a published fantasy author. He is inspired by both the Science Fiction and Fantasy genre. The books in this genre include A Song of Ice and Fire, Berserk, Dune, and the Dark Tower Series. He is a Toronto Maple Leafs fan, although he sometimes hates to admit. This is because he is afraid of getting beat up. Like any Leafs fan, he waits for them to get passed the first round of the Playoffs and win a Stanley Cup.

Cryptids of the Philippines: Diwata, Kapre, and Batibat

There are many cryptids and spirits in Philippine mythology. Most are evil and dangerous by nature, but there are some that are peaceful… unless you cross them.

Diwata

Diwata are probably the friendliest of Philippine cryptids. They are nature spirits that guard natural landmarks like mountains or forests, similar to Greek nymphs. Modern media depicts them as beautiful, ageless women, but diwata can be either male or female.

A painting of a person with long, dark hair and a white dress sitting on a log in a stream and helping two birds pick their nest out of the water.

Credit: Nat Lamina, Instagram

Many people pray to diwatas for good harvests and protection from sickness. However, if humans disrespect the diwata’s domain, they will be met with curses and illnesses instead.

One of the most well-known diwata is Maria Makiling. She is the protector of Mount Makiling and an ethereally beautiful young woman wearing a white dress made of moon beams and mountain mist. Some think she is the mountain itself, which is said to resemble a sleeping woman, the peaks making up her face and breasts.

Maria Makiling is a very kind and loving spirit. Whenever the forest is ravaged by a typhoon, she will repair the destruction it made to the trees and animals. She also often gives gold and other precious materials to the poor, either in secret or because they asked for her help.

However, for as generous as she is, Maria Makiling is very territorial and protective over her land. She will curse anyone who harms and disrespects the mountain, keeping travellers lost in the forest until they right their wrongdoings.

Kapre

A black-and-white illustration of a muscular, hairy humanoid creature with bark for skin smoking a cigar.

Credit: Abe Joncel Guevarra, Philippine Spirits

Kapre are 10 ft. tall, muscular tree-dwelling spirits. They have dark skin and mossy hair, which allows them to blend in with the trees at night and hide from humans. It’s said to have a very deep voice that resonates through the night and sometimes draws travellers to it.

Kapre love tobacco. The number one, telltale sign that a kapre is near is the scent of cigar smoke in the air. They usually spend their time sitting in the branches of their tree or at the base of it and smoking cigars.

Though their large size may make them intimidating, kapre are generally gentle creatures, happy to spend their days lazily smoking tobacco. They are guardian spirits of the forest and animals, and may even provide protection and guidance through the forest to people who respect nature.

However, if someone messes with their tree or disrespects the environment, then the kapre will retaliate. They’ll use their shape-shifting or illusion-making abilities to mislead travellers and get them lost in the forest or play pranks on them. 

Batibat

A drawing of a large person with long, wild hair sitting on top of another person who appears to be struggling to breathe.

credit: Enrico Delos Reyes, Facebook

Batibat are described as very obese, ugly, old women. They’re another nature spirit that lives in trees, which they are extremely territorial over.

If someone cuts down the batibat’s tree to use as a post for their house, the spirit will be very enraged and refuse to leave what remains of their tree. She will take up residence in the human’s house, and if anyone sleeps near her post, she will give them nightmares and sleep paralysis, and sit on them until they suffocate and die.

Batibat are often credited as the cause of bangungot (meaning “nightmare”), or a disease known as Sudden Unexplained Nocturnal Death Syndrome (SUNDS). The disorder mainly occurs in Southeast Asia, and mostly affects young, healthy men.

There are few ways to prevent being attacked by the batibat. Some say that you should drink a lot of water before going to sleep; others believe that you shouldn’t got to bed after eating a large meal or drinking a lot of alcohol (both potential causes of SUNDS). Some even say that you should dress up as a woman before going to bed, since batibat target mostly men.

Once you’ve been trapped by the batibat, however, the only way to escape is too either bite one of your fingers or wiggle your toes. So, in other words, good luck.

 

Beings like the diwata, kapre, and batibat remind us to respect nature and be careful what we take from it, lest we invoke the wrath of these territorial nature spirits.


Koda Hann is currently a student in Algonquin College’s Professional Writing Program. He loves learning about different cultures and his latest hyper-fixation is anything and everything Philippines-related (shoutout to all the Titas and Titos out there, mano po).

His dream is to be a scriptwriter for animation, and he has several ideas for compelling fantasy stories that he plans to put to screen. Two of his biggest inspirations are Avatar: The Last Airbender and How To Train Your Dragon.

He’s just a lil’ guy.

Cryptids of the Philippines: Tikbalang, Nuno sa Punso, and Aswang

The Philippines is a collection of thousands of wonderfully unique islands, home to diverse flora and fauna, rich culture and cuisine, quaint rural villages and bustling urban cities… and a myriad of malevolent, yet fascinating supernatural beings. Today, I will explore three of the Philippines’ most popular cryptids.

Tikbalang

The tikbalang is a fearsome spirit, with the torso and arms of a human, and the head and feet of a horse. The creature is tall and thin, and its limbs are abnormally long, with legs resembling those of a locust.

A drawing of an emaciated, humanoid monster, with the head of a horse, human arms with long claws, long, hoofed legs, and a shaggy mane covering its face and back.

Credit: Jacob Blackman (ProdigyDuck), Deviantart

Tikbalang usually appears at night, seeking to mislead travelers in the forest by playing tricks on them. It can make itself invisible or transform into people that you know and trust to lead you astray. Many believe the only way to break free from the spirit’s illusions and escape the forest is to turn your clothes inside-out.

There is a way to beat and tame the tikbalang; however, it’s no easy task. You must jump onto the creature’s back and restrain it with a special rope. Then, you hold on for dear life. You must stay on the tikbalang’s back and keep it tied until it tires out. Once it’s exhausted, you take one of three golden hairs from its mane. It’s said that whoever has this golden hair can control the tikbalang.

There is contention about the origins of tikbalang in the Philippines, since horses are not native to the islands. Most theorize that it came after Spanish colonials arrived in 1521, since they introduced horses when they colonized the islands. Others think it may have either been influenced by the Hindu deity Hayagriva, who is a horse-headed avatar of the god Vishnu, or from Chinese merchants, who rode horses on land when they traveled to the Philippines.

Nuno sa Punso

The term nuno sa punso translates to “ancestor from the anthill”. It’s a small earth spirit, depicted as a little old man, that lives under anthills. The nuno is said to be as tall as a three-year-old, have a long, white beard, and wear a conical, wide-brimmed hat made from reeds called a salakot.

An illustration of a small, old person with a long, white beard and conical hat crouched on top of an anthill.

credit: Gabe Fua (gabefuadraws), Instagram

Nuno is a grumpy little creature though, as old men often are, and he will curse those who trespass on his territory or disturb him. Parents advise their children not to play outside too late, and to avoid playing around anthills that might have a nuno in them. It’s best not to be too noisy in the nuno’s neighborhood.

You may also upset the nuno by stepping on his anthill, cutting down trees in his territory, or peeing on his home.

The nuno will curse offenders with various ailments, such as a high fever, dizziness, sores on the feet that make it hard to walk, or swollen genitals (for peeing on the anthill).

Those cursed must seek aid from an albularyo, a traditional folk healer, who usually advises the victim to give an offering to the nuno. Some common offerings include boiled chicken, rice, an animal sacrifice (typically a white chicken), fruit, and coconut wine.

The best way to avoid nuno sa punso’s wrath is to say the phrase tabi tabi po (please step aside) whenever you walk by an anthill or the nuno’s territory, which is a way of warning him that you’re passing through and to ask for his pardon.

Aswang

A painting of a grey, humanoid creature with long, dark hair, sunken eyes, and a long, red, proboscis-like tongue.

Credit: Tobet Lacuarta, Artstation

There are many different Philippine mythological creatures that fall under the term aswang. The most popular depiction in modern media is a blood-sucking, predatory monster similar to vampires in Western mythology. They can shape-shift into any form, most commonly of a beautiful young woman with long dark hair. Other aswang transform into animals, often dogs or pigs.

The aswang feeds on human flesh, with a preference for blood and the liver. It’s said to have a long, flexible, proboscis-like tongue that they use to drain their victims’ blood. It usually preys on pregnant women and their unborn fetuses, but also eats children and sick people.

The aswang often uses its shape-shifting ability to infiltrate human villages and pretend to be just another human (or, for the other shape-shifting varieties, a normal animal). Then, at night, it takes the opportunity to strike. The aswang lures its victims out, often with a strange sound like a tick tick tick, pretending to get quieter as it nears closer to lull the victim into a false sense of security.


And with that, we reach the end. Which of these cryptids has peaked your curiosity the most?


Koda Hann is currently a student in Algonquin College’s Professional Writing Program. He loves learning about different cultures and his latest hyper-fixation is anything and everything Philippines-related (shoutout to all the Titas and Titos out there, mano po).

His dream is to be a scriptwriter for animation, and he has several ideas for compelling fantasy stories that he plans to put to screen. Two of his biggest inspirations are Avatar: The Last Airbender and How To Train Your Dragon.

He’s just a lil’ guy.