The Science of Fear

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Why do we love watching horror movies? What keeps us coming back to horror novels?

For me, I love the thrill. I am not much of a risk-taker in life. I much prefer the safety of keeping my two feet securely on the ground. Horror is my adrenaline rush. But is there a scientific reason to back up this obsession with being scared?

Some scientists believe that a couple of factors can contribute to people’s love of being scared.

Contributors of Fear Enjoyment:

1.     The Excitation Transfer Process: While watching a scary movie or reading a horror novel, our heart rate, blood pressure, and breathing increase, which means we are excited. This excitement sticks around after the movie is over or after we have set our novel down. The excitement we feel translates into positive feelings, so we associate being scared with having a good time.

2.     Different Wiring: Not everyone feels the same way about being scared. Some people enjoy the adrenaline rush associated with horror films and books, just like there are people who do not enjoy the adrenaline rush from roller coasters and other such activities. We are all wired differently, which is why horror is not for everyone.

3.     Novelty: The horror genre can be seen as something that disrupts the routine. It offers viewers or readers something that they normally wouldn’t come across. It would be like when you drive by a car accident and slow down to look out of curiosity.

4.     Age and Gender: I am sorry to admit that there is an ample amount of evidence that shows that men prefer the horror genre over women. As a woman, I will admit that there aren’t too many of us horror lovers out there, but I didn’t think there would be such a discrepancy. It is also evident that younger individuals like horror over older ones.

I am not just a fan of the horror genre. I am also in love with true crime. I find serial killers, murders, and all that rather interesting. I watch documentaries, listen to podcasts, and read true crime books. I even love murder mystery shows like Criminal Minds and CSI. Some people find this interesting, considering the fact that most murder victims are women.

So why would I want to indulge in these kinds of things when I could be a victim myself?

Some experts think that if we watch, listen, or read, we can learn to spot possible predators out in the world. Some psychologists believe that people who enjoy being scared and love true crime and horror possess something they refer to as a “protective frame” and has three categories:

Protective Frame Categories:

1.     Safety Frame- these individuals understand that whether they are watching, reading, or listening to frightening things, they are doing so from a safe place. They understand that they are in a physically safe place so they can enjoy the scary thing they are consuming.

2.     Detachment- people who enjoy horror and true crime are able to detach themselves from what is happening in the movie, book, or podcast.

3.     Managing Danger- these people can be confident in the knowledge that they can overcome the danger that they are witnessing

I like to believe that those of us who love being scared are just a very special breed.

So, do you like to be scared?

If you want to know more about the science of fear, check out one of my favourite podcasts that did an awesome job on the topic.

I love to indulge in the dark side of life and party with the monsters under my bed. I have been in love with the horror genre since the age of eleven and haven’t regretted a moment.

No Hate on Horror Sequels!

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You know you’re in the right college program when you get to talk about your love for movies in the way they do in Scream 2, when Mickey and Randy debated about sequels—but not just any sequels, horror sequels! And that’s why Empire Strikes Back doesn’t get any consideration here.

“[It’s] not a sequel,” argues Randy, “part of a trilogy completely planned.”

Yeah, well…shut up, Randy. This is why I’m taking Mickey’s side: to explain why the second movie in horror franchises can be just as good, or possibly even better than the first. 

Scream 2

Scream 2 movie cover

The expectations are high for sequels to live up to their originals, yet they often disappoint. But why? People say it has to do with a lack of originality or laziness from the studio, but Scream 2 treated its disadvantage like a challenge and worked it into the self-aware sense of humour that the franchise is famous for.

Movie screenshot

For this movie there was a copycat killer: a Ghostface who was very determined to create a worthy sequel, and one who got all riled up every time someone told him it was a bad idea. Maybe he did base his idea off of the first killer, and maybe he was a little clumsier—one time managing to trip over an entire couch—but he tried, and he tried hard (so no one can dare call his sequel lazy!).

There is just something about them: Scream and Scream 2 will always feel the most classic to me, complimenting each other as the beginning and a highly worthy continuation. The franchise slowly started to get less appealing to me afterwards, but that’s a discussion for another day.

Child’s Play 2

Movie screenshot

Sequels have a hidden advantage to their originals when handled right. Having established a world with characters and backstories already, the original movies save sequels time from introducing these things so they can get straight to the plot.

Movie screenshot with Andy and Chucky

A great example of this is Child’s Play 2. I remember finding it dissatisfying in the first movie at how young Andy was, and how little he could communicate about the killer doll, Chucky. In the sequel Andy is two years older, more capable of making decisions and understanding the consequences of the situation. Questions like, “When will he try to hide Chucky?” or “When should he trust people to believe him?” add conflict, and therefore brings more excitement to the story.

Sequels can develop relationships much further between characters than the first movie had the chance to. But aw, poor Andy, and just about every other horror protagonist with more than one film…I’ll bet they wished to say goodbye to the killer the first time they killed them.

The Ring Two

The ring two movie cover

Samara reminds me of myself as a child: a horror fan long before she was allowed to watch the movies, so nobody knew what influenced her to be so damn creepy. I love her for it, and I love her sequel for giving her more screen time in a more sympathetic light. It’s a personal preference, perhaps, but it still falls into interesting character development.

Movie screenshot of Samara

Her character has been represented as an entity of pure evil, a vengeful ghost who never stops killing. In the first movie when she was speaking to a doctor in an old tape, he suggests that maybe she didn’t want to hurt anyone—but her answer is what you might expect something evil to say: “But I do.”

Then she said she was sorry. It’s confusing what Samara was trying to say.

By The Ring Two, it’s clear she will do anything and deceive anyone to get what she wants, even if it’s only to belong or to be loved. And it can be hard to see the malice of a plan behind the face of an “innocent” child, making me almost start to root for her against my better judgement. That’s what makes the horror and fascination for me in this movie strong: maybe Samara is half evil, and half misunderstood?

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So that’s that, do I win this game? Do I get a high-five from the class? Oh, stop pouting, Randy, and acknowledge my points. Write your own blog, if you will—but horror sequels can be great!

Teagan kept on hearing she would have to write some blog posts for college. That joke about writing about horror gave her real fits…then she realized they were serious. At least she’s seen plenty of slasher movies and has her dark sense of humour to work in her favour.

You have just heard from her with her funny little games. They say she’s a writer now. Ha ha.

I Scream, You Scream... We all Scream

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The sound of a phone ringing; a pretty blonde answers, and a gravelly voice asks her a question;

"What's your favourite scary movie?"

One of the most iconic opening scenes in movie history.

The Scream Movies

My favourite scary movies are those in the Scream franchise. I watch them every October, and I love them as much today as I did the first time I watched them. Yes, I have seen them probably a hundred times.

Scene from the first Scream movie

Scream is one of the most popular horror movie franchises, starting in 1996 with the first movie starring Neve Campbell, Courtney Cox, and David Arquette. They were directed by Wes Craven, well-known in the horror industry for his work on films like Nightmare on Elm Street and classics like The Hills Have Eyes, The Last House on the Left, and so many others. The Scream franchise has made over $740 million worldwide over the five movies.

The Scream movies are known for being meta, which is when something refers back to or is about itself. In the first movie, characters often comment about who they thought would play them if they made a movie about the murders. All other Scream movies refer to the fictional "Stab" films that were made based on what happened in the original Scream film. The character Randy also likes to discuss the parameters and rules of horror movies. These elements make for a unique horror movie format.

Interesting Scream Facts:

  • The original movie's cast never saw or met the actor for the voice on the phone. The actor who would be the Ghostface Killer on the phone was left a mystery to the cast members, giving the actors an added element of suspense.

Middle: Wes Craven, Right: Kevin Williamson

  • The writer of Scream, Kevin Williamson, drew inspiration for the movie from a real-life serial killer. Danny Rolling, The Gainesville Ripper, murdered five college women with a large knife before he was eventually caught. Williamson was watching a documentary on the Gainesville Ripper when inspiration hit for the Ghostface Killer.

  • The Ghostface mask was found in a random box in someone's garage. They tried to make their own mask based off of the original, but nothing came close to the mask they found. They ended up licensing the mask from Fun World, the original maker of the mask.

  • A Scream-based TV series came out on Netflix in 2015, where we find a group of teenagers being hunted by a masked murderer with a very large knife. It is a different story with different characters and set in a different town, but it still has the Scream vibe. I recommend season one, but I didn't like season two.

To me, Scream is one of the more unique horror movie franchises. It has a wonderful mix of jump scares, gory kill scenes (without being gross), and just a touch of humour. I don’t think there will be another horror movie franchise that will have that special place in my heart that Scream does.

Though I must admit, the upcoming Scream 6 isn't sitting high on my list of "must-watch movies" since they didn't want to pay Neve Campbell, aka Sidney Prescott, what she deserved, so Sidney won't be in the newest movie.

So, what is your favourite scary movie?

 

I love to indulge in the dark side of life and party with the monsters under my bed. I have been in love with the horror genre since the age of eleven and haven’t regretted a moment.

Thir13en Goats? I Mean GHOSTS!

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Thir13en Goats? A Parody edit of the Thir13en ghosts title

Horror fans love compiling lists of all the worst or cheesiest horror movies they’ve forced themselves to sit through, including low budget, independent, bad sequels and remakes. 2000s films are often included because they came out during the prime time for using crappy CGI effects, and we believe that laughing about it can be a fun way to justify wasting a whole hour and a half of our lives staring unimpressed at the screen. Today I want to talk about my favourite horror movie: it’s from the early 2000s, it’s a remake, and one that many critics say relies more on shock factor than good writing—

But that’s only partially true, and focussing on that alone may discourage people from getting into a truly spectacular movie.

“Misery Loves Company!” Cover art for the Thir13en Ghosts VHS and DVD release

Thirteen Ghosts (stylized as Thir13en Ghosts) is Dark Castle Entertainment’s remake of the 1960 film. It averages from one to three-and-a-half stars for most ratings, and it wasn’t so popular when it released in 2001, either. However, it has gained attention—especially over the last few years—and has been recognized for being a visual masterpiece through its use of practical effects. It has a decent story, one that can be genuinely funny, with characters and lore that surpass expectations.

Fans of movies like Scream will recognize Matthew Lillard, the actor who played Stu Macher in 1996. In Thirteen Ghosts Lillard plays a psychic named Dennis Rafkin who just won’t shut up about how much he hates his job, but you might complain too if your supernatural-obsessed boss is careless enough to get himself killed by his own ghost that you helped him capture…and before paying you a single cent of what he owes you. Then, as if to make matters worse, he’s arranged for his gigantic glass house to be given away to his financially struggling nephew, his two kids and the nanny they shouldn’t be able to afford.

At this point Rafkin says, “To hell with it!” and decides to sneak into the glass house dressed as a man from the Power Company to search for his money. When everyone’s inside, the doors shut and lock on their own—and when he tries to warn the family about the collection of their uncle’s ghosts in the basement, some who will definitely try to kill them, the father is so clueless that he mishears and asks if Rafkin means “goats.”

Movie screenshot of the ghosts

These goats—erm, ghosts—are one of the major highlights of the film. They’re not created with CGI at all, but are actors dressed in unique costumes and makeup. For what some of them may lack in screentime, the DVD extras make up for it by telling their individual backstories through short videos in ways that the main movie wouldn’t have had time to explore. Each of them represents a symbol of the Black Zodiac—a concept similar to the Western Zodiac signs, but with a purpose much more sinister…

In the end, Thirteen Ghosts still has a few cheesy horror movie habits, but that’s what makes it (and the genre) fun! It’s an underrated gem to be found among 2000s horror, both visually spectacular and offering a lot of detail to those who are willing dig down into it.

Teagan kept on hearing she would have to write some blog posts for college. That joke about writing about horror gave her real fits…then she realized they were serious. At least she’s seen plenty of slasher movies and has her dark sense of humour to work in her favour.

You have just heard from her with her funny little games. They say she’s a writer now. Ha ha.

Horror in Retrospect

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“Monsters are real, and ghosts are real too. They live inside us, and sometimes, they win”
— Stephen King

History of Horror in Fiction:

My love of horror novels changed as I grew; it developed as I did. It started with Goosebumps, and then I turned to R.L. Stien’s Fear Street books. When I got too old for those, I started on Christopher Pike. At the age of fourteen, I was introduced to Stephen King, and now I read whatever I can get my hands on. I haven’t looked back. But who paved the way for these authors?

The first glimpse we have of the horror genre was in the 18th century with the emergence of Gothic novels, which are defined as pseudo-medieval fiction with elements of mystery and terror. The horror genre took on a life of its own and changed over the 200 years it has been around. Here are some of the most significant contributors to the genre.

Key Horror Books and Authors:

Frankenstein's Monster

8ft recreation of Mary Shelley’s monster in Frankenstein found in Mary Shelley’s House of Frankenstein in Bath, England

1765- Castle of Otranto by Horace Walpole is said to be the first published horror story.

1818- Frankenstein by Mary Shelley first introduced the concept of pseudoscience in horror. This is one of my favourite classic novels.

1841- The Murders in the Rue Morgue by Edgar Allan Poe within the emerging Romantic era, where we first see the use of psychoanalysis in fiction. This era also introduces the idea that horror isn’t just monsters and supernatural creatures; that man can also be a monster.

1886- Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson

1897- Dracula by Bram Stoker

1908- “The Alchemist” by H.P. Lovecraft. His works introduce the idea of alternate worlds and the beginning of the speculative fiction genre.

1959- The Haunting of Hill House by Shirly Jackson

1962- Something Wicked This Way Comes by Ray Bradbury

1974- Carrie by Stephen King

Horror in written form keeps evolving throughout the decades with scientific discoveries and our understanding of our world. As we understand more about how our world works, we discover new ways in which it can go horribly wrong and scare the shit out of us. The horror genre has expanded and now includes horror comedy, psychological horror, monster movies, paranormal horror, and so much more.

Looking over this list, you may notice that the early horror writers heavily influenced the transition to horror movies, but where did horror movies start?

History of Horror Movies

I’ll start by saying that the first horror movie I watched was so long ago that I couldn’t even tell you the name of it. I was probably in grade six (this is back in the early 90s), and I had a friend whose mother would let her watch scary movies, so when I slept over, she would throw one on. The movie involved teenage demon possession, blood, and jump scares. It terrified me and gave me nightmares for a long time afterwards, but I was hooked.

Scary movies started with the birth of moving pictures. The way movies functioned back then offered the horror genre the perfect platform. The first movies were silent, dark, and the filmed movements were stuttered and jerky (they didn’t have the frame rates we have now), creating the perfect atmosphere for creepy images. The first short film was called “Le Squelette Joyeux,” created by the Lumiere brothers.





movie poster for the cabinet of dr. caligari

Key Horror Movies:

1915- “The Golem”- was dubbed the first monster movie (silent movie)

1920- “The Cabinet of Dr. Caligari” (silent)

1922- “Nosferatu” (silent)

1931- “Dracula” and “Frankenstein”

1932- “The Mummy”

1933- “King Kong”

1935- “Bride of Frankenstein” and “The Werewolves of London”

1941- “Dr. Jekyll and Mr. Hyde”

1956- “Invasion of the Body Snatchers”

1960- “Psycho”

Once the movie industry entered the 1950s, the horror genre ignited and has continued to burn brightly ever since. Now, a couple of horror movies come out yearly instead of one or two a decade. According to Forbes magazine, the horror industry is worth $1 billion annually. It’s evident that whatever filmmakers are doing, we all love it.

I know that, for me, as soon as October hits, all I want is to curl up on the couch and watch movies that will, hopefully, scare the poop out of me. I will also have a stack of scary books beside my bed, which will probably impact my sleep, but I couldn’t care less.

Teresa loves to indulge in the dark side of life and party with the monsters under her bed. Teresa has been in love with the horror genre since the age of eleven and hasn’t regretted a moment.